Soy Nero’s director Rafi Pitts had stated in his film festival interviews that the film was dedicated to deported Green Card soldiers, highlighting a seldom discussed injustice. Green card soldiers are undocumented people who join the US Army in order to start the naturalization process. If this veteran, however, is arrested for any reason the person must be deported back to their original country of origin. In the case of many deported veterans, the US is the only true home they know. That is often the deported veterans do not know Spanish. They have no known relatives in their birthplace.

Given this compelling social issue, we sprang into action and created a series of interviews with actual deported veterans. I hired out a crew in Tijuana, gave them a basic skeleton of questions to ask a group of green card vets and we were off to the races.

I also talked to Daniel Lopez to coordinate the thing and connected him to the crew.

This was then disseminated to LatinX facebook groups and sent out to bloggers and journalists as well as advertised on Facebook and Google’s Display Network.

Instant Dreams is a European documentary exploring the love for polaroid film through people from different walks of life after Polaroid had filed for bankruptcy and shuddered its doors. Once all the material was in and the research was compiled a clear community of instant photography enthusiasts came into view. Also, Polaroid’s brand name recognition allowed us access to photographers and artists.

Community and brand recognition became the core of Instant Dreams’s marketing strategy. In the end we were able to bring in two different influencer’s campaign. The first campaign brought in art photographers from around the world that often used instant photography in their work. The second campaign involved contemporary photographers being shipped a camera in order to shoot on it and posting the photos. All the photos were cross promoted between the artist and the documentaries social media pages. These interactions were supplemented with paid promotions of each of the photographer’s work and a website that housed all of the photos. Both sites were custom coded and built under a week which allowed us control over our digital marketing pixels and the flexibility to add developing pieces to the main movie page.

Synergetic Films acquired international and documentary titles from well-respected film festivals from around the world. As certain distribution channels became less profitable, a business to consumer approach on behalf of the company became crucial in order to remain competitive.

The “Film Passport” series campaign enticed festival goers with a screening of a quality international or documentary title for the price of their email. Aside from creating brand awareness, we were also able to segment audiences based on the types of films we were offering at the time.

The advertisements and website aimed to reflect Film Festivals in order to position the films as something fun, unique and artsy.

First we created a mood-board with festival graphic styles.

Birds Without Feathers won the George Stark’s Spirit of Slamdance Award in 2018. The film’s focus on mental health coupled with its hyper-stylized sets and cinematography landed it a distribution deal.

In order to get a limited theatrical release up and running a media kit and website were put together as the primary assets for B2B and B2C activities, respectively.

The production outfit for Birds Without Feathers had raised money through Kickstarter and along the way had produced a lot of marketing content. The distributor, intent on a limited theatrical release, looked for ways to boost its appeal. Among the changes was new artwork and typography.

This had to be reflected on the website. At the time, the Birds Without Feathers team did have a website. It was built on WIX. After collecting all previous creative and composing the press kit, I moved on to creating a site that could bridge the gap between what Synergetic micro-sites look like and the previous Birds Without Feathers website.

I cut a video background from the film that was reminiscent to the key art from the previous iteration on the homepage. I also added the same green to the website as the bottom-bar and side bar. I replaced the typography with the distributor’s choice and added assets from the key art into the website.

Birds Without Feathers Home Page Pre-theatrical Release

This site had Google and Facebook tracking skills and an email capture. It highlights the arthouse audience with a positive review and has a trailer as a call to action.